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Marlene Dumas, Francis Bacon by Marente Bloemheuvel

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Published by Distributed Art Pub Inc (Dap) .
Written in English


  • Individual artists,
  • Painting & paintings,
  • Individual Artist,
  • Exhibition Catalogs,
  • Art & Art Instruction,
  • Art,
  • Bacon, Francis,
  • Dumas, Marlene,
  • Exhibitions

Book details:

The Physical Object
Number of Pages199
ID Numbers
Open LibraryOL9073000M
ISBN 108881580276
ISBN 109788881580279

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Genre/Form: Exhibition catalogs Exhibitions Expositions: Additional Physical Format: Online version: Marlene Dumas, Francis Bacon. Milano: Charta, © Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Bacon and Dumas: or the discomfort of being 'coupled' = Bacon och Dumas: eller Det besvärliga med att bli "parad" / Marlene Dumas --Francis Bacon/Marlene Dumas / Richard Francis --Intensiteterna och Skytteln eller Hur konsten skapar en mikropolitisk självförstäelse = The intensities and the shuttle or how art creates micropolitical self. Marlene Dumas has 28 books on Goodreads with ratings. Marlene Dumas’s most popular book is Marlene Dumas.

Marlene Dumas was born in Cape Town, South Africa, and raised on her family’s vineyard in the countryside. Book of Love: two plates. Francis Bacon. Masque mortuaire de William Blake (after Study of Portrait based on The Life Mask of William Blake, ) Estimate. Marlene Dumas is a masterful presenter of what lies beneath. Who are we really behind our strategically composed facades? Francis Bacon. Friends & Personal Connections. Andriesse. Movements & Ideas. Expressionism. Books. websites. articles. video clips. Books. The books and articles below constitute a bibliography of the sources used in. Marente Bloemheuvel and Jan Mot write, in the text “The Particularity of Being Human”, in the catalogue of the exhibition “Marlene Dumas Francis Bacon” at the Castello di Rivoli of “In the painting The Banality of Evil () the artist used a photograph of herself. She painted out the car interior in the background, isolating.   MARLENE DUMAS’S STUDIO Dumas’s portraits might seem to constitute the face book of a bungled imperialism. Francis Bacon once said that is .

Marlene Dumas – Francis Bacon. From 06 June to 01 October Curated by Marente Bloemheuvel, Jan Mot, Ida Gianelli, Sune Nordgren. The exhibition compares the work of Marlene Dumas (Kuilsrivier, South Africa, ) with that of an undisputed master of the twentieth century, Francis Bacon (Dublin, Ireland, – Madrid, Spain,   Malmö, Konsthall and Turin, Castello di Rivoli, The Particularity of Being Human: Marlene Dumas/Francis Bacon, March-October , pp. , and (illustrated in color). Los Angeles, Museum of Contemporary Art; New York, Museum of Modern Art and Houston, Menil Collection, Marlene Dumas: Measuring Your Own Grave, December June The Particularity of Being Human: Marlene Dumas – Francis Bacon, Malmö Konsthall, Malmö, Sweden, The Particularity of Being Human: Marlene Dumas – Francis Bacon, Castello di Rivoli, Rivoli, Italy, Marlene Dumas, Maria Roosen, Marijke van Warmerdam (Biennale of Venice), Padiglione Olandese, Venice, Italy,   Books. James Fenimore Cooper’s Brave Old World. So why does Marlene Dumas’s painting, appropriated from this loaded image, feel inert and facile? Sometimes compared to Francis Bacon.